Michael Haneke: There's no easy way to say this…

Michael Haneke's Palme d'Or-winning film Amour will strike some as brutal, as its elderly characters grapple with the indignities of ageing. The director proves a challenging subject to interview as he evades and obstructs – much like his films.
Michael Haneke likes to say that his films are easier to make than to watch. Cast and crew have fun, but he expects his audience to be disturbed, affronted, even sickened. "On the set I make jokes," he said when we met in Paris to discuss Amour, which deservedly won him the Palme d'Or at Cannes this year. "I can't get too involved, or it turns into sentimental soup. I try to keep it light."

Amour -Michael Haneke's second Palme d'Or

The title is a challenge: not ironic, not celebratory, and yet somehow not complicated either. "Love" is boiled down to something elemental, something like survival, or perhaps the exact opposite, though calling it L'Amourmight have been to risk a pun. This is Michael Haneke's second Palme d'Or winner and shows the director as a film-maker of incomparable seriousness and weight, and this is a passionate, painful, intimate drama to be compared with Bergman's Scenes from a Marriage.

Michael Haneke’s ‘Amour’

A masterpiece about life, death and everything in between, Michael Haneke’s “Amour” takes a long, hard, tender look at an elderly French couple, Georges and Anne — played by two titans of French cinema, Jean-Louis Trintignant and Emmanuelle Riva — in their final days. Set in contemporary Paris, it begins with the couple’s front door being breached by a group of firemen. One moves through the rooms, delicately raising a hand to his nose before throwing open several large windows. He may be trying to erase the smell that probably brought the firemen there in the first place and which has transformed this light, graceful, enviable apartment into a crypt.