Kierkegaard,
religious absolutism, grandfather of existentialism, the most important
religious thinker of the modern age. he dramatized the conflict between
religion and secular reason, between private faith and the public world.
Society is a place of conventions. A lover of irony.
a
moralizing Lutheran who excoriated the high officials of the Danish reformed
church and held forth obsessively on themes of faith, sin, and anxiety. Among
his most famous works are bitter satires and invectives against bourgeois
conformity that are interlaced with the same veins of explosive resentment that
Dostoevsky would mine in his Notes from Underground.
the
pious Kierkegaard and the atheist Nietzsche
In
the 1920s and 1930s Heidegger and Sartre began to pluck from Kierkegaard’s
writings the themes of existential philosophy. they borrowed his image of the
human being condemned to a worldly existente
Daphne
Hampson does not share Kierkegaard’s beliefs. Although she favors some kind of
“spirituality,” she rejects traditional monotheism, especially its patriarchal
themes. she considers the notion
of a God who resides “outside” the world the remnant of a defunct metaphysics.
For Lukács, Either/Or is a
meditation on the conflict between two modes of existence, the hedonistic or aesthetic
(as described in the “Diary of a Seducer”) and the ethical (in which one
awakens to remorse and “holiness”). To the individual who must choose either
one life or the other, Kierkegaard says, reason offers no guidance. But at the
book’s conclusion we learn that neither path is right, for in prayer alone we
find truth.
http://www.nybooks.com/articles/2016/11/10/kierkegaards-rebellion/
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